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In that style, 'Still Not Over You' is a favorite. "Willie always had his own way of singing, and I don't see anything wrong with it. Typical of a slighted Nelson character, he tends to mash his bruises: "Today I made a point to go somewhere I knew you'd be/I had to know if you still had the same affect on me." It fits nicely with his early work, telling the tale of a guy slow to get past a split. But Nelson apparently never put his voice to it until 2003 when he and Price released a collection of duets. Notes: Where did Nelson keep this thing hidden? Ray Price covered it in the late 1960s and sings it still. Released: "Run That By Me One More Time" (2003) We never got that record deal." - Ray Benson, Asleep at the Wheel There's a line in it about how lousy the music business is. "My favorite is one Willie and I recorded called 'Write Your Own Songs.' We were on the golf course one day, and he said, 'Hey I just wrote a song, want to hear it?' At the time I was without a record deal Willie was financing my album.
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Purified Country don't you know what the whole things about?/Is your head up your ass so far that you can't pull it out?" it wasn't likely to get much radio play. That's his right to do what he wanted to do. I don't see anything wrong with this song. Willie's voice is like an instrument, just like his guitar. "I did a thing with Willie at the Ryman Auditorium in Nashville a few years back. Somehow their harmonies work out on this song, a divisive bit of pop fluffery. Nelson's voice is gritty, Iglesias' crystalline. Notes: The song appeared on a duets album designed to help Iglesias cross over to an English-language market. Released: Julio Iglesias' "1100 Bel Air Place" (1984)